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One of the most inspiring courses I ever took was Victorian Poetry with Professor John North. I transcribed more sound bytes in the margins of my notes for that class than I did for any other. This is a man who loves God and who loves poetry, two of the loves of my own life, and so to listen to him speak several times a week was an incredible gift.
I remember attempting to describe this course to my friends. Professor North is an older gentleman who has had many experiences and who has seen much in his life. His students are privileged to hear of his experiences in his classes, and we are even more privileged to be able to listen to the wisdom that he has gleaned from his years on earth. Attending his class was like entering his living room. He invited us in and began speaking, and though he spoke of poetry, he could not help but give us knowledge greater than simply what the poet was trying to say.
Poetry, he says, is a way for us to “read experiences that are like our own, that we can identify with, that affirm ourselves.”
We discussed some of my favourite poets in this class – Tennyson, Hopkins, Arnold, Browning – and through each step of the course, we could see the above-quoted theme carrying through. While discussing Tennyson’s In Memorium and explaining to us why this poem was so popular when first published, North said,
Tennyson explores grief and put into words for people for the first time their internal worlds and emotions.
In Memorium was a poem that Tennyson wrote over the course of twenty years as he mourned the loss of his best friend. We all have these experiences and these “internal worlds and emotions”, but most of us cannot put words to them. With this poem, Tennyson took something that was incredibly well-experienced, but very rarely expressed (that is, grief), and finally put it to words. Poetry touches the ineffable.
After silence, that which comes nearest to expressing the inexpressible is music.
~Aldous Huxley
I would class poetry with music.
I found Professor North’s class to be an incredibly healing one. Through his class, he carried us into the very depths of the poem, often to the core of our souls, inviting us to examine what we found there, and to actually feel the emotions that we carried within us. It wasn’t that he was not content with a surface-level analysis of a poem; it was that remaining on the surface never even occurred to him. He is a man deeply in love with his wife, passionate about his God, and incredibly moved by the pieces he reads, and all of this came through in his lectures.
Poetry gives shape and a voice to our internal world; it affirms us, we are less alone.
The excitement in Hopkins is that his world makes sense. The problem is that oftentimes our world just doesn’t make sense. When the dark sonnets come, we can see that he has made sense in the non-sense. Despite the darkness, there is joy.
Poetry gives us an insight into other people’s hearts and minds, and into our own. It gives all of that shape, brings form out of chaos. We can understand what we never understood before, and through another’s writing, we realize it is true. It is satisfying both to have words for it, and to realize that someone else feels the way that we do. It takes the loneliness out of life.
It’s hard to fight with evil, but consider the consequence of not fighting with evil.
Evil cannot exist on its own; by definition, it is a perversion of good.
Even evil is under God’s authority.
[Poetry helps us to] accept the potential of the future, without rejecting the beauty of the past.
Poetry says far more than the poet knows he or she is saying.
Poetry is so powerful that it affects us to the core, even if we don’t know why.
We often only need to see something or hear something and we are transformed.
Be aware that you can’t study literature without being changed inside, in spite of yourself.
(the above all taken during Professor North’s Fall ‘07 Victorian Poetry class)
Bravo. It is exactly as Cameron Schaefer writes here: Life’s about choices. A refreshing reminder.
I’ve been asked a few times by friends what Twitter actually is. It is only fair, since I harp so often about no one reading my twitter page, to actually explain a little bit of what Twitter is. There is a video here, which does a fairly good job of it, but I will also do my best to articulate what it is (Mike, Matty, Dad, feel free to weigh in with your own explanations of it).
Twitter is what is known as a microblog. I tried to find a nice definition online, but I couldn’t find one I liked (granted, I didn’t look very hard). But a microblog is essentially like this blog, except it consists of shorter and more frequent posts. So rather than posting several paragraphs once a day or every few days, an author might post a couple of sentences several times a day. To read it in order, you would read it the same way as a blog: the most recent posts are at the top, so the further down you go, the further back in time you go.
One thing that is incredibly cool about Twitter and makes it completely unique from a blog is the “home” page. When you sign up for Twitter, you have the option to begin “following” other Twitter users, and they have the option to follow you (naturally, you can control your privacy settings). So when you log onto Twitter, it goes to your home page, which updates every time one of the people you are following makes a new post.

This is a capture of my Twitter home page. At the top, you can see the space for me to write “What I am doing” or whatever else I feel like posting about. Also notice the number “140″ above that box. Twitter limits you to only 140 characters per post. It becomes an interesting challenge getting your point across in a limited space. And you can see below the box posts of some of the people I follow: Felicia Day of Dr. Horrible’s Sing-Along Blog and The Guild, Dr. Horrible himself, Brett McKay of The Art of Manliness, The Pioneer Woman, and Mike Purvis. Every time they “tweet” something, it is added to this page for me to read, and every time I write something, it is added on my page and on the home pages of the people who follow me.
It is a fun way to keep in touch with people that you know, and to read about what they are up to (which is often what we most want to hear anyway), and it is also fun to follow people you don’t necessarily know who tend to be writing for a wide audience of people they don’t know either
(ie, evskeys, Wil Wheaton).
If Twitter is something that interests you, you should check it out! Play with it a little, start following people and you’ll quickly figure out how it works. And if you start an account, make sure you go to my page and click the little “follow” link beneath my picture, so I’ll know you’ve signed up and so I can follow you back.
So, I just need to brag about my littlest brother for a minute here. As I may have mentioned before, he is 11 years old.
Yesterday, I took him rock climbing. It was actually a lot of fun. He did a great job, trying a lot of walls and making it to the top of one or two of them (a great feat when it isn’t something you normally do). We weren’t there for very long (we’re working on endurance
) but the thing that impressed me most is what he did learn in the time we were there.
Here is an article on the basic climbing knots, the figure eight and the fisherman’s knot.
And this is the sequence of events:
- First wall, I tied little bro in (doing the knots for him to climb)
- Second wall, I demonstrated (just once, mind you) how to tie the knots
- Third wall, I told little bro I wanted him to try the knots and see how he did.
In a word, flawless. Absolutely flawless.
This video is when he was tying in to his fourth wall of the day, his second attempt at tying the knots. Again, flawless. I was super impressed. When I was working at the gym, there was rarely a person who could tie-in flawlessly on their first attempt, adults and children alike, and here is this 11-year-old, tying-in with all the deftness of someone who has been climbing for years.
So cool. After the move, we definitely need to invest in a membership at the rock climbing gym
also, I really like the song playing in the background—anyone know what it is?
Trust is an active verb.
I was thinking about this recently. A lot of times, we say that we trust someone or trust in something, but we don’t take actions that actually indicate this trust. As an example, say we come to a bridge that we need to cross. We can look at it and analyze it, decide that it is sound and say that we trust it to hold our weight, but if we never put that trust to the test, if we never actually set foot on that bridge, do we really trust it?
Hopefully this tidbit will get your thoughts going
Feel free to share musings of your own.

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